11111

COURSE INTRODUCTION AND APPLICATION INFORMATION


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Course Name
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
Fall/Spring
Prerequisites
None
Course Language
Course Type
Elective
Course Level
-
Mode of Delivery -
Teaching Methods and Techniques of the Course
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives
Learning Outcomes The students who succeeded in this course;
  • Will be able to develop visual critical thinking.
  • Will be able to create visual designs.
  • Will be able to apply creativity in their design.
  • Will be able to observe how the visual language is depending on natural languages and the relationships between them.
  • Will be able to analyze the syntax of visual language.
Course Description

 



Course Category

Core Courses
Major Area Courses
X
Supportive Courses
Media and Managment Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Required Materials
1 Introduction: Introduction of the syllabus and the highlights of the course. None
2 An introduction to visual perception Researching The Perception Gestalt Theory
3 What is image and photographic image Researching the ontological and phenomenological structure of photography
4 upgrade of introduction of still life photography Practice of creating still life scene with different images
5 What are the basic elements of photographic images, onthological elements and cultural and esthetical elements  I Researching the ontological and phenomenological structure of photography
6 Describing photographic categories Researching the categories of photography with examples (Reading: Criticizing Photographs: Terry Barret)
7 Describing photographic categories II Researching the categories of photography with examples (Reading: Criticizing Photographs: Terry Barret)
8 Photo of Exterior Applications day life image of the image recording
9 Why we produce photographic images? Researching the reasons and types of photographic production as both a tool and a visual language
10 Photo Applications; imaginative commentary Of a text (poem-stories) to be visualized as an imaginary
11 Documentary: John Berger "Ways of Seeing" "Ways of Seeing’’ watched a documentary and discussion with today's visual world
12 Photo and Text Coexistence When using a combination of text and photo and shape effect
13 What is interpretation? Comments and Reviews varieties Investigation and discussion of examples
14 Photo Applications: Collage Work Elaboration of practical work as a collage
15 What is critizing ? Researching the types and actualization of criticism in the context of historical, societal and political constructs
16 Review of the Semester
Course Notes/Textbooks power point presentations
Suggested Readings/Materials Terry Barrett, Fotoğrafı Eleştirmek / Caner Aydemir (derleyen); Fotoğraf neyi anlatırLiz Wells, The Photography ReaderJohn Tagg, The Burden of RepresentationRoland Barthes, Camera LucidaSusan Sontag, Fotoğraf ÜzerineJohn Berger, Görme BiçimleriUmberto Echo, Kelimeler ve ŞeylerVilem Flusser, Fotoğraf Felsefesi üzerine

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
10
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
Project
3
90
Seminar / Workshop
Oral Exam
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade
3
100
Weighting of End-of-Semester Activities on the Final Grade
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Course Hours
(Including exam week: 16 x total hours)
16
4
64
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
Study Hours Out of Class
16
2
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
Project
3
4
Seminar / Workshop
Oral Exam
Midterms
Final Exams
    Total
108

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1 To be able to use the advanced theoretical and applied knowledge attained in the areas of Visual Communication Design (Multimedia, Photography, Graphic Design and Typography), X
2 To be able to investigate, interpret and evaluate the developments on Visual Communication Design in the world and in Turkey, X
3 To be able combine images and words creatively in order to convey visual ideas
X
4 To attain a high level of complex problemsolving using a variety of design methodologies, X
5 To understand the principles of compositional space X
6 To have a clear understanding of creative art direction, X
7 To attain proficiency on the implementation of production standards and to be able to use Visual Communication Design related software and communication technologies. X
8 To have an advanced level knowledge and experience in photography and video production, including image processing, editing and postproduction techniques, X
9 By using a second foreign language at least on an intermediate level, to be able to follow the information in Visual Communication Design and communicate with colleagues, X
10 To have social and ethical awareness in the stages of creating, applying and evaluating the practices related to Visual Communication Design, and to act consciously and sensitively in the application of these values, X
11 To take responsibility both as an individual and as a team member in order to solve creatively the unexpected and unforeseen complex design problems encountered in the Visual Communication Design practices. X
12 To utilize the ability to evaluate and criticize acquired knowledge and skills, to diagnose ones individual educational needs, and undertake selfdirected and continuous education in the discipline. X

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 

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